Guy Sebastian

All posts tagged Guy Sebastian

Thank you Vienna for what was overall an excellent Grand Final experience. Unfortunately the weather was beyond the control of the organisers. The rain just poured down all day without a break – just like Grand Final day in Copenhagen, last year. Sadly, my sequins had to hide under my Goretex rain jacket until I was safely inside. Unlike Copenhagen last year, there was much better control of the queue with security stopping late arrivals pushing in where their friends were holding places in the line, much to the dismay of the Spaniards, who really didn’t understand what the issue was. Then once the doors to the auditorium opened, we were able to stand close to the front, without any squashing, pushing or crowding. We could just relax and enjoy the show. And what a show it was!

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Could there be a better way to start the show than with a flying Conchita wearing bright pink sequins? I think not! There is still so much love in the room for Conchita.

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And what about those balls? There are actually hundreds of balls suspended above our heads that drop down to make those wave patterns.

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The light-up stage is also spectacular, although the shape of it concentrates the audience in the middle, as anyone standing too far to the right has their view of the stage blocked. Should the stage lights be found in a shed in Austria in 15 year’s time and sold on e-bay, as per the Olympic Rings, I think that a set of three lights in graduated heights would look great at my place.

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And so on to the pre qualified acts. Yes the French always sing in French, but Lisa’s delivery was very passionate, and the backing video just made this act very compelling to watch. The additional drummers were particularly moving and gained a huge reaction from the audience.

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The UK’s jazz number brought some much needed scat and lindy hop to Eurovision and was a possibility for the novelty vote. Yet despite the light-up costumes, the gorgeous props (with the ambitious combination of stairs and high heels introducing an added risk for injury) and the back up dancing, the act just lacked something in the execution, and didn’t quite have the energy or enthusiasm needed for ESC success.

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This is one tough act to follow. Need I say any more? Australia’s first ever official Eurovision entry is a clear crowd favourite. Guy did us proud! Whatever the result, we have shown that we are serious about this competition and can do whatcha whatcha whatcha want to succeed.

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Oh come on now, this was a pleasant enough, sing along tune from the host country. Surely they deserved some points for the pyrotechnic piano!

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And Germany’s Ann Sophie put in a strong performance too. Even if she does sound like Anastasia. This was a much better version than her original video recording of the song.

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Don’t we just love a costume reveal? Spain is one country that knows how to do the big ballad well. And they have really enthusiastic fans!

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Italy is another country where the passion of their fans outdoes the passion of their performers. There were many fears for Il Volo. They were the last performance of the show – a position that historically has led to low scores, as well as one of the ‘Big 5’, so people haven’t already heard the song at a Semi Final. Their result of third place just goes to show that a stellar performance will stand out regardless of the odds. These guys just ooze talent, passion and charisma. They just give you goosebumps!

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And so the voting begins! What a unique act Austria put on. This was really effective live, with the ever-changing percussion line up on the stage, the individual instruments coming from either side and the choir up the back. The whole audience had to keep moving to see the whole thing, which is a good thing when you’ve been standing in one spot for so long!

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Once again, Conchita demonstrates her worthiness for the crown, ‘Queen of Austria’. Such a polished performer with such an amazing voice. We could just listen to her all night, but the votes are in!!!

After the first few votes were announced, I felt just a little deflated. Despite all the support for Guy and his song in Vienna, which had raised our hopes for its popularity, it seemed that maybe Europe was not yet ready to embrace Australia as serious competitor. Then finally points from Denmark, possibly helped along by votes from the Royal Family. It was fun to be able to wave an Australian flag for once when points were announced. (Usually CJP and I pick countries to back, preferably places we would like to go to, last year we supported Sweden and Austria.) But for me, the highlight was receiving 12 points from Sweden, when of course our 12 points went to them too. I felt that all the love we have had for Sweden for so long – Abba and Roxette included – was returned! Our love is not unrequited! It didn’t matter to me whether we received any further points, we are in a voting block with Sweden!

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Seeing Lee Lin Chin on the big screen was also a thrill. Her trademark no-nonsense style saw her complimented by other countries as the most professional of all the points presenters. On her appearance, all the Aussies went completely crazy while the thousands of attendees from every other country had absolutely no idea who she was. Overall, the most popular of all presenters was of course Nigella! What a clever choice from the UK.

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So at the end of a very long day, everyone was happy with the result overall. The crowd parted respectfully to let the Swedish fans through to enjoy their moment at the front of the stage. Heroes was a great, catchy song well presented. There was some controversy that it sounded a lot like a David Guetta song (seriously France, if you want to win…) but that was all forgotten. Plus it’s a country that does
Eurovision well (although later on some will start to complain that it’s expensive, particularly the alcohol).

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Eurovision seems to be getting better and better. There are many songs from this year that will remain on my playlist. The top 6 songs were all very different, but all excellent performances so it was certainly no shame for Australia to be placed 5th. Guy has certainly done us proud.

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Until 2016, Sweden!

I’m fairly dedicated to scoring a spot at the front of the stage, so anything that delayed my entry to Semi-final 2 would have to be pretty special. Like a close up and personal performance with Guy Sebastian. Yes, that would be it! I was lucky enough to secure a ticket to a private gathering – at an ‘Aussie’ themed pub, of course – organised by SBS with an intimate performance by Guy, his backing singers and guitarist. The venue was probably too small for the guest list, which included other Aussie Eurovision connections such as Katrina Noorbergen, co-writer and back up vocalist for Russia – but all that was forgotten once Guy came on stage. He’s such a lovely person, giving due credit to his fellow musicians and boy – can he sing! We could have spent all evening dancing and singing along with Guy, but we have a semi-final to get to and Guy needs to rest up for the big night!

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Bubblegum pop at its best from Lithuania. A nice, happy song about love sung by two attractive young people with some cute dancing, and a tune we can all sing and dance along to. And doesn’t the crowd just love it!

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A lovely lilting tune in the tradition of popular Irish music, but possibly a piano based number doesn’t quite cut it for Eurovision.

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I don’t know whether you could see little flashing lights on the broadcast, but they were on buttons handed out by the San Marino crowd. They also worked to support every other song that started with the lights down. It’s a shame they didn’t put more effort into the actual song. This was one of the weaker entries from the smallest nation to compete in Eurovision.

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Hey he’s having fun, his backup dancers are having fun, we’re all having fun dancing along to this east meets western pop tune from Montenegro. Nothing wrong with that in the grand tradition of Eurovision.

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Poor Amber from Malta started with a bit of a disadvantage as we already have one warrior maiden in the final. She has had a previous Eurovision moment as backup singer for Kurt Calleja back in Baku.

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Well I don’t really like this song. It’s not the sort of euro-pop we expect from Norway. Lots of other people seem to, though. Maybe it’s just me?

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Portugal didn’t really grab me this year either. The song is pleasant enough, but not a real stand out.

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Another pleasant enough duet from the Czech Republic with ‘Hope Never Dies’. It would take a lot more than hope to see them take out this contest.

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Let’s see now. An infectious dance number called ‘Golden Boy’. Would that just go off with the fans on the dance floor at Eurovision? It may not be a winner but the crowd just loves it!

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‘Love Injected’ by Animata from Latvia goes to show how it’s impossible to judge the songs based on the recordings alone. The live performance is completely mesmerising and shows a depth and passion that just isn’t captured on the CD. It’s a clear crowd favourite.

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‘Hour of the Wolf’ from Azerbaijan was a song I didn’t have a clear idea about going in to the contest. On first listen, it seemed fairly ordinary. But then the chorus started to grow on me. However, the live delivery was just captivating, with Elnur’s powerful vocals, a rhythmic backing track and those amazing contemporary dancers in a mythical, Midsummer’s Dream type setting. It was well worthy of a place in the Final. And we all get to watch those dancers again!

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This song just didn’t gel at all. A pretty young girl, dressed like she’s going to a children’s birthday party but belting out a pop tune. Hmmm. Although a really interesting part of Maria’s bio is that she played the part if a young Michael Jackson in a tribute show in Reykjavik. It really is a small population over there. I would just love to see footage of that!

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Obviously Sweden is a crowd favourite. Let’s face it, the country is a master of Euro pop and their entries are selected on the basis of a popular national vote. Måns just oozes charisma, he’s a polished performer with an incredibly catchy dance tune and the animation is a clever and novel idea. This is a clear contender.

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Another ballad. Pleasant enough, but is it Mélanie’s time to shine? Even with the costume reveal?

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John from Cyprus brings us a forgettable melody with wimpy lyrics and a very dull presentation. Thank goodness I won’t have to sit through that song again. What do you mean it made the final? Who voted for that? Seriously…

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Ah Maraaya from Slovenia, a girl in a long white dress wearing sparkly headphones with a back up dancer wearing a black light-up costume and doing a mean air-violin. Does this make any sense? Only in Eurovision! About the headphones, one website mentioned that they were part of some sponsorship deal but the official story in the program is that Marjetka started wearing her studio headphones on stage as she wanted to evoke the same emotions she felt in the studio while recording. Which is interesting, as most singers try to evoke the energy of a live performance in their studio recording.

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Monica had her music career interrupted in 2006 due to a serious car accident, but re-launched herself as a solo artist in 2012. Yes it’s another ballad but yes, she can also sing. It’s just slightly disappointing that Eurovision, which bills itself as an accessible event, hadn’t considered how to get her on and off the stage, seeing as a feature of this year’s event was having all the acts walk up stairs and on to the stage at the beginning of each show.

So it’s only another two days until the Final. I’m really looking forward to seeing Australia perform for the first time. Every time they play Guy’s song as part of the pre-qualified entries, the whole venue erupts in song!