Globen Arena was just a short train ride from our hotel, near Slussen. We could see it from the Main Street of Södermalm. Outside the Arena, Eurovision songs were blaring, free hugs were on offer, and everyone seemed to pick up on the excitement of the first broadcast show for 2016. This is no place to try and be cool. Most people are dressed up to represent a country – either their own or their favourite song for tonight – or a blend of both.
   
 We arrived close to the entry time of 7pm and the queues moved quickly despite the security checks. We found ourselves in our stage right area in no time, with plenty of room to breathe. We met a few British guys, who had also been to see Dami at the SBS party, and chatted about all things Eurovision until a medley of Eurovision songs started playing, and everyone sang along. 
The über-cool stage manager, Henrik, is back, striding on stage with I’m Sexy and I Know It pumping out! We were really pleased to see him. He is such a professional, making sure that the audience is aware of when to hold up their wrist bands and display their flags and warning those at the front about the pyrotechnics. Behind the scenes, it is interesting to see how he guides the performers around to make sure that they are ready on cue. He is a true professional.

  
Soon, the official Eurovision music is playing, everyone starts frantically waving their flags and the first postcard appears to signal the start of the show! It’s so exciting, and I’m already so glad I came all the way to see this live!
The starting number, with Måns singing a pared back version of his winning song, Heroes, was very moving. It also really gives him a chance to show off his voice. The children’s choir was great and emphasised the song’s aspirational meaning.
Sandhja from Finland, singer and national kickboxing medal winner, was a good opening act, with Sing it Away. A fun, happy song, with simple costumes and staging. It’s not very memorable, but a great way to start off the party that is Eurovision.  

  
Utopian Land by Argo from Greece hasn’t been my favourite on the CD, the lyric, “with the rise of the rising sun” just isn’t right on the English speaking ear, but who could resist this enthusiastic delivery? That pop/ethnic fusion is really something we have come to expect from Eurovision and something would be sadly lacking if we ever lost it. I just love the part where they all break into a Greek dance.

  
Every year, there seem to be a few recurring themes with songs. Lidia Isac’s Falling Stars is the first of our star songs for 2016. It’s a pleasant pop song with an ethno-beat to the chorus and lots of fun for those of us on the floor to sing and dance along to. And don’t we love the astronaut that just randomly appears and then starts dancing! Although the astronaut is not popular with the voters! Just like Montenegro in 2013, Moldova failed to qualify.

  
Freddie from Hungary is a pretty cute guy, and his live delivery of Pioneer is much more engaging than the recording. He really gives it his all. Plus, how can you resist a big drum, and whistling? With its message of love and valuing the individual, “be proud, you were born to be real” there’s no wonder it was voted in to the final.

  
Croatia’s Lighthouse was a favourite song when it first came out, but it has a slow start. Nina was able to take advantage of that with the show’s first costume reveal! I did love the gown she came out in. It looked really fragile with the light shining through it, like butterfly wings. The second gown was certainly a Eurovision special, all fluffy and shiny. Like, um, a lighthouse…

  
The first time I saw Bob Douwe’s name, I did think of Australian comedian Bob Down. But this act bears no relation at all. The Netherlands continues its recent tradition of sending an entry that isn’t the usual power ballad or europop song with this laid back country tune, Slow Down. Bob is very engaging, with a very cute grin, and his band also does a great guitar solo. 

  
Iveta’s costume choice of a sequinned leotard with sequins raised some controversy. I’m not sure whether it was channeling Beyoncé or just Physical Culture. Armenia’s Love Wave was delivered fairly powerfully. But it did need the pyrotechnics to keep everyone awake. 

  
If Barry White and Boney M had a love child back in the 70s, it grew up into Serhat. Love him or hate him, you just can’t resist dancing and clapping along to this number that oozes disco appeal. Serhat is such a charmer! Apparently he has been dancing away at the Euroclub with the younger ladies. Well, no one else is, so why not? I do keep thinking that he will start singing “ra ra Rasputin” at any moment though. I’m very disappointed that it didn’t make the final, I would have loved to see this all dancing and singing number again! 

  
So Sergey’s You Are the Only One may be purely formulaic Europop, but what’s wrong with that? This is Eurovision after all! Add to that a clever, fast paced special effects projection and his charming personality and we could have a hit! We saw Sergey doing a sound check in the Eurovision Village, and it was nice to see that he seems fairly humble, and was embarrassed by all the attention he was attracting for his rehearsal. “Thunder and lightning, it’s getting exciting!” He certainly gained an enthusiastic reception from tonight’s crowd. 

  
Gabriela’s delivery of I Stand was very passionate, flawless, and featured a light up skirt and a strange sort of reveal where she lets her hair out by simply removing an elastic band. I don’t know that it was a real standout for me. Still, it made it through to the final. 

  
Minus One from Cyprus chose to channel Lady Ga Ga in their rock performance of Alter Ego with each of the band’s musicians locked up in a cage, presumably for the safety of the audience. It may have been a novelty, but I did enjoy their performance; their singer really knows how to belt out a tune, it has a great beat that wakes everyone up, and very catchy chorus. And the guy howls! Ok, I was totally drawn in! I’m looking forward to dancing to this one again on Saturday! 

  
It still seems a little odd to me that a German speaking country like Austria would submit a song in French. However, the audience clearly had no issues with that and ZOË is obviously one of the crowd favourites. Her delivery of Loin d’ici was effusive, with a sense of old-fashioned Alice in Wonderland innocence and wonder, which is refreshing in a contest that often overdoses on the sex appeal factor. Of course, it made the final. Perhaps there could be another win for Austria? 

  

Jüri Pootsmann may have the most unlikely name for a pop star, but sadly his performance of Play was not as memorable as the postcard that features his (pixelated) bare backside. He certainly sings with a deeper voice than one would expect for someone so young. A bit like the Estonian Rick Astley.

  

Samra also chose body hugging gold sequins for her costume, opting for the coverage of a catsuit rather than Iveta’s skimpy leotard. It’s no Miracle that Azerbaijan is through to the final. This is a very catchy tune that those of us on the floor can’t help singing along to. It features all the spectacle and glitz, shooting flames, plus back up dancers who appear to have been trained by Pat Benatar’s choreographer. This is why I love Eurovision!

  

The Real Thing by Highway is my least favourite song this year. Montenegro has submitted a disjointed, heavy metal tune that is not made any more interesting by the live delivery. If I were at home I’d be making a cup of tea now. The audience takes the opportunity to check their phones. 

  

Greta Salóme from Iceland has been one of my favourites this year with the rousing, Hear Them Calling. I was really looking forward to seeing this song performed live. It certainly did not disappoint and became a crowd favourite. Greta’s black, fringed costume was super-cool and used to good effect with the superb background effects. It appeared to have everything, a great song with strong delivery and exciting staging (and her creative director is a Brisbane boy). After the first 9 acts for the final were revealed, the audience actually started chanting for Iceland. Yet for some quirk of the voting process, it was sadly not to be. 

  

Bosnia and Herzegovina’s entry, Ljubav Je was an attempt at blending four artists with different styles, which ultimately ended up sounding disjointed and bland, despite the red dress, barbed wire and stringed instruments – what could possibly have gone wrong with that? The studio audience is not really keen on anything featuring rap so we’re all pretty happy that we don’t have to listen to this again. Where’s that cup of tea? I didn’t even manage to get a photo. 

Ira Losco takes us back to tonight’s most popular outfit, a revealing, sequinned costume – possibly not the most obvious choice for covering a baby bump – for Walk on Water, another catchy pop tune that ends the show on a high. She also knows what it takes to perform in Eurovision, having represented her country in 2002 with an entry that scored well. She must have been a mere child back then as she still looks amazing 14 years later. No offence to Malta, but we did just expect that Iceland would make the final.  

Things have not slowed down for us at all on our second day in town.
Heading out for a walk around Gamla Stan, the cobblestone paved old town, we noticed that the main road passing the palace was blocked off, but didn’t pay it much thought as we wandered around, browsing through the touristy shops. By the time we reached the palace, a crowd had gathered, and we noticed that the Chilean flag was flying along with the Swedish flag. Just as we joined the crowd, the royal mounted guard started to ride by. We then caught a glimpse of the Swedish King and Chilean president, in a horse drawn carriage. 

  
We managed to get tickets for tonight’s exclusive SBS party at the Södra Teatern with another up close and personal performance by Dami, dressed in a gorgeous black sequinned jumpsuit. We managed to stand in a great spot, right at the front near the stage. Once again, she impressed us with her amazing voice and down to earth attitude. She is really having a great time with all the craziness around Eurovision. Her husband and mother were also proudly watching and taking photos on their smartphones. 

  
It was also really exciting to see Julia Zemiro again! We haven’t seen Sam Pang or Julia since Malmö, and really didn’t expect to see either of them on a broadcast night. She hung around for a while for interviews with some of the international media present, so I couldn’t resist asking for a quick selfie, while her publicist was frantically trying to wrap things up, but she is pretty generous for the fans. 

   
 Once again the weather was amazing, and the theatre has a lovely outdoor patio with a view across the water to other Stockholm islands, so we lingered for a while, catching up with the guys I met last year in Vienna and meeting new people from Australia and beyond. My vintage map of Australia earrings – acquired back in the 80s, were a great talking point. As one of the guys mentioned, this is what Eurovision is really all about, connecting with people from around the world.

  
What an amazing day so far; and we still have to get to our first Eurovision event, Semi Final 1!

So, let’s get on to what this trip is really all about – Eurovision!
Having arrived late last night, today was our first day of the Stockholm Eurovision experience! Eurovision Village is the central, and public hub for Eurovision in the host city. Stockholm has selected a beautiful park in the centre of the city, Kungsträdgården, for the Village. With all the lovely hot weather we’re having here at the moment – today reached 24 degrees C – the spring flowers were blooming, and the locals were all out enjoying the sun. The park is already lined with restaurants, so with the added food stands, screens and stages and sponsorship stalls, it’s an attractive venue to wander around and spend some time in. And all the Eurovision merchandise is available, although it wasn’t ready to go from midday, when the Village opened. My favourite was the sponsored Osram lighting stall, which had a Eurovision karaoke. With so many great songs to choose from, I eventually selected Euphoria, props – a Swedish flag and feathered necklace – and sang and danced for the few seconds of music, while the stall holders blew bubbles! What a great start to the day, it certainly woke me up! Videos are then delivered via email. 

  
The nearby NK department store dressed their windows with displays representing the Swedish winners of Eurovision, from ABBA to Måns, so we crossed at the musical crossing – it doesn’t just beep, it plays Euphoria – to reminisce about previous winning songs.

  
Wandering back to our hotel, we dropped in to the Euroclub, opposite the Royal Palace, for a traditional Swedish lunch of meatballs. 

  
We then found that the Swedish entrant, 17 year old Frans, was appearing in 1/2 an hour, and we had seats directly above the stage, with a perfect view! He seemed fairly overwhelmed by the whole experience, but excited to be starting his musical career with so much support. 

  
After getting all dressed up, we returned to the Euroclub, as we managed to get ourselves on to the guest list for the Australian embassy party, hosted by the Australian Ambassador to Sweden, Finland, Latvia and Estonia. And kindly sponsored by Lindeman wines. Dami Im performed two songs live, accompanying herself on the keyboard. She really seemed to be grateful for the opportunity and very humbled by the whole experience of representing Australia in Eurovision. It was great to hear the power in her voice in the live performance, and the really stripped back versions of Bridge Over Troubled Water and her Eurovision song – Sound of Silence. I stood behind the Korean ambassador during the performance, hoping to get in shot for the SBS coverage.

   
   
The party was also our first opportunity to catch up with some of the Australian fans I met last year in Vienna, and to meet some of the people behind the Facebook posts in the Australian Eurovision discussion groups, and the hopefully soon to be official Australian Eurovision fan club.  

What trip to Oslo would be complete without a visit to the Viking Ship Museum? 
The Båtservice ferry cost a bargain 60K return when purchased at the hut on the docks, and traveling across in the little wooden boat is part of the fun, with the opportunity to see Oslo from the water. Bygdøy, the museums island, is actually connected to the land but it’s much mare atmospheric to get there by boat than by bus. Once over at Bygdøy, it’s a hike straight uphill to the Viking Ship Museum, past some glamorous houses.

  
The Oseberg and Gokstad ship finds are two of the most important and impressive archaeological finds in Norway. As a kid poring over books on the Vikings, with poor black and white photographs of the ship finds, I dreamed of going to Oslo to finally see these things for myself. It’s amazing to think that these ships, although significantly restored, were in use during the Viking era. While practical, they are also incredibly beautiful, with the simple, clean lines that are still evident in Scandinavian design today. The detail in the richly carved wagon, sleighs and other goods is just incredible! I think that the wagon, with its cat carvings, is my favourite. I could just imagine sitting up In that, with my trusty horse pulling me around. Slowly. On bumpy wooden wheels. 

  
The Norwegian Museum of Cultural History is right next door, so I head there for a quick bite to eat before looking around. The main part of the museum is outdoors. In the summer, people in traditional dress practice various traditional arts and crafts in the buildings, but in early May, the buildings are just open for visitors to have a look. 

 
The jewel in the crown for this collection is the stave church. Made of wood in the Middle Ages, there few stave churches left in Norway, with many burned or destroyed over time as fashions changed. The stave church preserved in this collection features the typical ornately carved doorway panels, with a mix of Christian and mythological symbols, just to be sure. This one seems to feature kings and dragons. Peering through the door, the gold painted altar is just visible through the darkness – the building has no windows. I take a walk around the verandah – because I can. Outside, an excited Japanese visitor explains to me that the building has striking similarities to old Japanese buildings. Interesting.

  

The rest of the collection are mainly farmhouses and storage sheds from various ages and different parts of the country. It is amazing to think that anyone could survive in this climate in these simple wooden huts. You would think that one bad winter could have wiped out the population! 

  

I went to inspect the indoor exhibitions at 3pm, thinking that I could probably have a quick look around for 30 minutes or so, as the museum closed at 4pm, but apparently these close a full hour before closing time. I did manage to see the exhibition on the Sami, which provides a good background on the history and culture of the people who invented skiing.

Back on the ‘mainland’, I walked around to the Oslo Opera House, not to see a show but to climb on the roof. This is a fairly new building, opened in 2008. I don’t know whether it was the intention of the architects, but the roof slopes down to the ground, inviting people to climb up to inspect the view from the top, and lots of people do! Including a group running up and down on a boot camp training session.

   
 
There is a lot of construction going on in this area, too, with more water view apartments going up in front and new office blocks, nicknamed the ‘barcode’ behind. 

  

Climbing up was one thing, but looking back down the slope, right down to the bottom, is a little challenging for someone who is afraid of heights, so I kept to the stairs, taking them one at a time to get back down! I have a strange habit of continually forgetting just how afraid of heights I am until I am at the top of something. Usually while on holiday.

Heading south from pretty much anywhere along Karl Johan’s Gate (that’s to your left when facing Slottsparken) takes you down to the top of the Oslo Fjord.
At the moment, there’s so much construction going on that it’s impossible to walk straight down, but after detouring and weaving around building sites, I get there eventually. Oslo – it will be great when it’s finished! 
This is a place where new Oslo meets the old. Around to the right is the Aker Brygge. This is the upmarket, cosmopolitan area of town with expensive shops, bars, restaurants and a few cafes by the harbour side. A promenade allows you to walk all the way to the aerodynamic Astrup Fearnley museum of modern art. Beyond this are some very exclusive apartment buildings with views of the fjord and its islands. 

  
Unfortunately, the only cafe with lots of seating by the harbour is a Starbucks! That was not the vibe I was looking for, so I picked up a pecan pastry from the nearby Narvesen supermarket and a ridiculously expensive – but great – coffee from local chain Joe and the Juice – at least they’re Danish – and sat by the harbour to eat it. I was just relaxing and enjoying the view when a seagull grabbed the pastry from my hand! And the seagulls are big over here!  

  
Around the other side of the harbour is the medieval Akershus Castle and fortress. While building commenced in 1299, many of the present buildings are newer (1600s and 1700s). However, it is still a very atmospheric place to wander around while the sun shines. It is free to walk around the grounds, but there is a charge for entry to the interesting museums on site or for tours. Despite its historical significance, part of the complex is still used as a military base, so entry to different sections can be restricted at times. 

   
 The area in the middle is a large public space with statues, and flowers and fountains in the summer – the Town Hall Square. The Town Hall itself is an incredibly ugly brick building, which was started in the 30s but not inaugurated until 1950 as WWII paused construction. It’s a shame they didn’t rethink the design, but I guess it was pretty state of the art for mid-century. The public and private ferries to the museum island and fjord cruises all leave from this part of the harbour.

  

It’s easy to slip in to the pace of a town that seems to move along at a walking pace. Nothing seems rushed in Oslo, but then there are no frustrating and unnecessary delays either. Everything just happens in its turn. 
From the airport, it’s easy to catch the express bus or train to the centre of Oslo. The airport express train has a credit card swipe and go facility that’s even simple for a jet lagged Australian who has just spent the past 20 or so hours on a plane to use. 
The Oslo Tourist Information Centre is located in the newly renovated old Central Station, so the first time visitor can pick up a map and information on the sights before heading out in to town. The renovation has turned a formerly seedy location into one of Oslo’s happening venues with upmarket bars and trendy restaurants. 
Oslo is an easy city to walk around. The walk along the main street, Karl Johan’s Gate, from Central Station to the Royal Palace in Slottsparken can apparently be done in a brisk 10 minutes. However, as this shopping strip is lined with a great selection of Scandinavian clothing stores, including the legendary Moods of Norway, it always seems to take me a lot longer. The walk also passes other notable buildings, such as Parliament and the National Theatre. United Bakeries is another location that’s difficult to pass by. With great espresso coffee, fresh buttery pastries and good quality sandwiches, it’s well worth fighting with the locals for a table. 

  
The Slottsparken Is completely open to the public. There are no high fences around the palace, just a couple of fresh-faced young King’s Guards in the traditional black hat with its feathery plume. We managed to catch the changing of the guard, with guards appearing from a small building nearby.  

  
The return walk along Kristian IV Gate / Grensen, parallel to the main street, passes some interesting homewares and handcraft stores, along with the Black Cat coffee and tea shop, particularly known for its local tea blends, which come in really cool tins. My favourite is the French Earl Grey.   

Thank you Vienna for what was overall an excellent Grand Final experience. Unfortunately the weather was beyond the control of the organisers. The rain just poured down all day without a break – just like Grand Final day in Copenhagen, last year. Sadly, my sequins had to hide under my Goretex rain jacket until I was safely inside. Unlike Copenhagen last year, there was much better control of the queue with security stopping late arrivals pushing in where their friends were holding places in the line, much to the dismay of the Spaniards, who really didn’t understand what the issue was. Then once the doors to the auditorium opened, we were able to stand close to the front, without any squashing, pushing or crowding. We could just relax and enjoy the show. And what a show it was!

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Could there be a better way to start the show than with a flying Conchita wearing bright pink sequins? I think not! There is still so much love in the room for Conchita.

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And what about those balls? There are actually hundreds of balls suspended above our heads that drop down to make those wave patterns.

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The light-up stage is also spectacular, although the shape of it concentrates the audience in the middle, as anyone standing too far to the right has their view of the stage blocked. Should the stage lights be found in a shed in Austria in 15 year’s time and sold on e-bay, as per the Olympic Rings, I think that a set of three lights in graduated heights would look great at my place.

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And so on to the pre qualified acts. Yes the French always sing in French, but Lisa’s delivery was very passionate, and the backing video just made this act very compelling to watch. The additional drummers were particularly moving and gained a huge reaction from the audience.

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The UK’s jazz number brought some much needed scat and lindy hop to Eurovision and was a possibility for the novelty vote. Yet despite the light-up costumes, the gorgeous props (with the ambitious combination of stairs and high heels introducing an added risk for injury) and the back up dancing, the act just lacked something in the execution, and didn’t quite have the energy or enthusiasm needed for ESC success.

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This is one tough act to follow. Need I say any more? Australia’s first ever official Eurovision entry is a clear crowd favourite. Guy did us proud! Whatever the result, we have shown that we are serious about this competition and can do whatcha whatcha whatcha want to succeed.

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Oh come on now, this was a pleasant enough, sing along tune from the host country. Surely they deserved some points for the pyrotechnic piano!

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And Germany’s Ann Sophie put in a strong performance too. Even if she does sound like Anastasia. This was a much better version than her original video recording of the song.

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Don’t we just love a costume reveal? Spain is one country that knows how to do the big ballad well. And they have really enthusiastic fans!

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Italy is another country where the passion of their fans outdoes the passion of their performers. There were many fears for Il Volo. They were the last performance of the show – a position that historically has led to low scores, as well as one of the ‘Big 5’, so people haven’t already heard the song at a Semi Final. Their result of third place just goes to show that a stellar performance will stand out regardless of the odds. These guys just ooze talent, passion and charisma. They just give you goosebumps!

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And so the voting begins! What a unique act Austria put on. This was really effective live, with the ever-changing percussion line up on the stage, the individual instruments coming from either side and the choir up the back. The whole audience had to keep moving to see the whole thing, which is a good thing when you’ve been standing in one spot for so long!

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Once again, Conchita demonstrates her worthiness for the crown, ‘Queen of Austria’. Such a polished performer with such an amazing voice. We could just listen to her all night, but the votes are in!!!

After the first few votes were announced, I felt just a little deflated. Despite all the support for Guy and his song in Vienna, which had raised our hopes for its popularity, it seemed that maybe Europe was not yet ready to embrace Australia as serious competitor. Then finally points from Denmark, possibly helped along by votes from the Royal Family. It was fun to be able to wave an Australian flag for once when points were announced. (Usually CJP and I pick countries to back, preferably places we would like to go to, last year we supported Sweden and Austria.) But for me, the highlight was receiving 12 points from Sweden, when of course our 12 points went to them too. I felt that all the love we have had for Sweden for so long – Abba and Roxette included – was returned! Our love is not unrequited! It didn’t matter to me whether we received any further points, we are in a voting block with Sweden!

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Seeing Lee Lin Chin on the big screen was also a thrill. Her trademark no-nonsense style saw her complimented by other countries as the most professional of all the points presenters. On her appearance, all the Aussies went completely crazy while the thousands of attendees from every other country had absolutely no idea who she was. Overall, the most popular of all presenters was of course Nigella! What a clever choice from the UK.

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So at the end of a very long day, everyone was happy with the result overall. The crowd parted respectfully to let the Swedish fans through to enjoy their moment at the front of the stage. Heroes was a great, catchy song well presented. There was some controversy that it sounded a lot like a David Guetta song (seriously France, if you want to win…) but that was all forgotten. Plus it’s a country that does
Eurovision well (although later on some will start to complain that it’s expensive, particularly the alcohol).

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Eurovision seems to be getting better and better. There are many songs from this year that will remain on my playlist. The top 6 songs were all very different, but all excellent performances so it was certainly no shame for Australia to be placed 5th. Guy has certainly done us proud.

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Until 2016, Sweden!

I’m fairly dedicated to scoring a spot at the front of the stage, so anything that delayed my entry to Semi-final 2 would have to be pretty special. Like a close up and personal performance with Guy Sebastian. Yes, that would be it! I was lucky enough to secure a ticket to a private gathering – at an ‘Aussie’ themed pub, of course – organised by SBS with an intimate performance by Guy, his backing singers and guitarist. The venue was probably too small for the guest list, which included other Aussie Eurovision connections such as Katrina Noorbergen, co-writer and back up vocalist for Russia – but all that was forgotten once Guy came on stage. He’s such a lovely person, giving due credit to his fellow musicians and boy – can he sing! We could have spent all evening dancing and singing along with Guy, but we have a semi-final to get to and Guy needs to rest up for the big night!

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Bubblegum pop at its best from Lithuania. A nice, happy song about love sung by two attractive young people with some cute dancing, and a tune we can all sing and dance along to. And doesn’t the crowd just love it!

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A lovely lilting tune in the tradition of popular Irish music, but possibly a piano based number doesn’t quite cut it for Eurovision.

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I don’t know whether you could see little flashing lights on the broadcast, but they were on buttons handed out by the San Marino crowd. They also worked to support every other song that started with the lights down. It’s a shame they didn’t put more effort into the actual song. This was one of the weaker entries from the smallest nation to compete in Eurovision.

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Hey he’s having fun, his backup dancers are having fun, we’re all having fun dancing along to this east meets western pop tune from Montenegro. Nothing wrong with that in the grand tradition of Eurovision.

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Poor Amber from Malta started with a bit of a disadvantage as we already have one warrior maiden in the final. She has had a previous Eurovision moment as backup singer for Kurt Calleja back in Baku.

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Well I don’t really like this song. It’s not the sort of euro-pop we expect from Norway. Lots of other people seem to, though. Maybe it’s just me?

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Portugal didn’t really grab me this year either. The song is pleasant enough, but not a real stand out.

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Another pleasant enough duet from the Czech Republic with ‘Hope Never Dies’. It would take a lot more than hope to see them take out this contest.

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Let’s see now. An infectious dance number called ‘Golden Boy’. Would that just go off with the fans on the dance floor at Eurovision? It may not be a winner but the crowd just loves it!

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‘Love Injected’ by Animata from Latvia goes to show how it’s impossible to judge the songs based on the recordings alone. The live performance is completely mesmerising and shows a depth and passion that just isn’t captured on the CD. It’s a clear crowd favourite.

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‘Hour of the Wolf’ from Azerbaijan was a song I didn’t have a clear idea about going in to the contest. On first listen, it seemed fairly ordinary. But then the chorus started to grow on me. However, the live delivery was just captivating, with Elnur’s powerful vocals, a rhythmic backing track and those amazing contemporary dancers in a mythical, Midsummer’s Dream type setting. It was well worthy of a place in the Final. And we all get to watch those dancers again!

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This song just didn’t gel at all. A pretty young girl, dressed like she’s going to a children’s birthday party but belting out a pop tune. Hmmm. Although a really interesting part of Maria’s bio is that she played the part if a young Michael Jackson in a tribute show in Reykjavik. It really is a small population over there. I would just love to see footage of that!

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Obviously Sweden is a crowd favourite. Let’s face it, the country is a master of Euro pop and their entries are selected on the basis of a popular national vote. Måns just oozes charisma, he’s a polished performer with an incredibly catchy dance tune and the animation is a clever and novel idea. This is a clear contender.

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Another ballad. Pleasant enough, but is it Mélanie’s time to shine? Even with the costume reveal?

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John from Cyprus brings us a forgettable melody with wimpy lyrics and a very dull presentation. Thank goodness I won’t have to sit through that song again. What do you mean it made the final? Who voted for that? Seriously…

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Ah Maraaya from Slovenia, a girl in a long white dress wearing sparkly headphones with a back up dancer wearing a black light-up costume and doing a mean air-violin. Does this make any sense? Only in Eurovision! About the headphones, one website mentioned that they were part of some sponsorship deal but the official story in the program is that Marjetka started wearing her studio headphones on stage as she wanted to evoke the same emotions she felt in the studio while recording. Which is interesting, as most singers try to evoke the energy of a live performance in their studio recording.

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Monica had her music career interrupted in 2006 due to a serious car accident, but re-launched herself as a solo artist in 2012. Yes it’s another ballad but yes, she can also sing. It’s just slightly disappointing that Eurovision, which bills itself as an accessible event, hadn’t considered how to get her on and off the stage, seeing as a feature of this year’s event was having all the acts walk up stairs and on to the stage at the beginning of each show.

So it’s only another two days until the Final. I’m really looking forward to seeing Australia perform for the first time. Every time they play Guy’s song as part of the pre-qualified entries, the whole venue erupts in song!

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The crowd gathers for the first semi-final! Ah the joys of holding Eurovision in a proper venue. The crowd was all so orderly this year. Now if everyone would just stop smoking…

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Pre-show warm up entertainment. The show was missing one important element. Where is Henric the stage manager? Sure we practiced the countdown and were all told what to do. But it just wasn’t the same without the cool Swede. I felt lost when the show started. Bring back Henric!

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So the fan zone is right up the front of the stage and all these people are in the section behind. Would I gloat? Never!

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I just love the light in this photo.

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Moldova started the show with an upbeat number, the raunchy I Want Your Love. The fumes from all those fireworks went right up my nose! Eduard is actually Ukrainian but had no success with their national selections in previous years, somehow he has had more luck with Moldova.

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Armenia emerge from the fog to Face the Shadow. Genealogy includes singers of Armenian background from various countries, including our first Australian of the contest. This was a great concept, only did anyone consider whether their voices really worked together? So glad it made the Final though as it’s a classic Eurovision number!

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Belgium was a clear favourite for tonight’s semi final. It was no surprise that they made it through.

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Trijntje from The Netherlands really put her all into signing this very catchy number. But the poor staging really let her down. What was with those costumes and the poor choreography? It all looked very last minute, and not a sequin to be seen! She may have had more luck getting through to the Final as a solo act.

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Finland made a blatant attempt to get the novelty / social / sympathy vote with PNK, a punk rock band of men with intellectual disability. And it failed dismally. Apparently they are very popular at home, but Finns can’t vote for their own act. (And even if they could let’s face it, Australia probably has a larger ESC viewing audience).

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A ballad for Greece this year and a sequinned dress barely held together. It worked for them and they’re through to the Final.

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An interesting duet from Estonia. I would have thought it’s a bit downbeat for Eurovision but it made the Final. Sometimes different works.

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An amazing background for F.Y.R. Macedonia and very cool dancers. Combined with singing in a heavy accent, this was a great number in the spirit of Eurovision.

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Serbia. Wow! Bojana has a great voice and was very well received by the audience, along with her camp backing dancers. She seemed really relaxed and enjoyed her time on stage, waving to the audience before and after her song.

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One may have thought that the preachy lyrics of Hungary’s song about peace and justice may not have gone down very well with the European audience. Let’s face it the history of this part of the world inspired Game of Thrones. It was a surprise addition to the Final.

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A soloist and a violin. Sometimes less is more. “Time is like thunder”, sure, it makes absolutely no sense but who cares when it’s such a catchy tune, belted out with loads of charisma?

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After last year’s debacle, Russia’s entry for 2015 could not possibly be badly received, notably co-penned by an Australian who also features as a backing singer. A Million Voices is a strong contest favourite. It’s a powerful song well performed and well staged. Whether it wins or not, it will remain a strong favourite with the ESC fans.

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Denmark’s fun, boppy, summer pop song by its home grown version of One Direction reminds me of 60’s pop bands like the Kinks or even the Monkees. Which were all well before the time of any of these band members. And possibly also their mothers…

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Thank goodness we’re getting to the end. My feet have gone numb. But who could notice such mundane things when Elhaida has such a strong voice? I loved this song from Albania the first time I heard the recording and the live version just blew me away. A worthy contender for the final!

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A band with a great melody and a big heart. They are connected with many local charities including All Over Again which supports children left alone by parents working over the border.

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Nina’s costume probably blew Georgia’s ESC budget, but who needs backing dancers with such an outfit? I think she looks like an evil version of Avril Levigne.

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So the first semi final is over and 10 songs selected for the Final. What a night! This year the Green Room is up behind the audience and is open, so the artists can see the audience and the stage. We Aussies were so excited when Guy Sebastian was interviewed in the Green Room, I don’t have a clue what he said but at least he could see us all waving the flag and cheering him on.
Can’t wait to do it all again on Thursday night!

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The Australian ESC entry is out! Multitalented songster that he is, Guy Sebastian has penned a new song specifically for ESC, reportedly in 48 hours. Given some of the offerings performed in the past, one may suggest that plenty of entries have been prepared in less time.

It’s an upbeat party song that includes many of the features of successful ESC performances. There’s an easy, catchy lyric that non-English speakers can sing along with: “do watcha watcha watcha want”, you can dance to it, it’s a feel good tune that stands out from the crowd and it makes the most of Guy’s voice. In short, it’s a contender!

Australians are a pretty tough audience and pulling down ‘tall poppies’ is as much a national pastime as cricket or swimming, so we don’t praise our own lightly. There is really a chance that we could actually win this thing!